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For almost eight hundred years (100 BC - AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru's south coast, and numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible. This book describes the major artistic motifs of this stunning polychrome pottery.
- Sales Rank: #2227318 in Books
- Published on: 2009-08-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .60" w x 8.50" l, 1.50 pounds
- Binding: Paperback
- 274 pages
Review
"The art of ancient Peru is spectacular, and of all the beautiful Central Andean styles, Nasca pottery is without peer. In this comprehensive volume Donald Proulx, the leading authority on Nasca ceramic iconography, presents his definitive statement on this extraordinary art through sound scholarship and a cautious, rigorous, and carefully explained methodology. The volume excels for its detailed description of the Nasca ceramic style (forms, iconography, phases), stimulating interpretation of the iconography, penetrating linkage of the pots and their iconography to the archaeologically known Nasca society, and diachronic treatment of the evolution of Nasca art and society. This will be a foundational text for many decades of future research."--Helaine Silverman, Department of Anthropology, University of Illinois at Urbana-Champaign
About the Author
Donald Proulx became fascinated by Nasca pottery forty-five years ago, when he was a student hired to catalog a collection of Peruvian artifacts. Over the years, although his research expanded to include site surveys and settlement pattern studies, he never lost his passion for Nasca ceramics. He has written extensively on all facets of Nasca culture, including Local Differences and Time Differences in Nasca Pottery, Nasca Gravelots in the Uhle Collection from the Ica Valley, and (with Helaine Silverman) The Nasca. He is professor of anthropology emeritus, University of Massachusetts at Amherst.
Most helpful customer reviews
4 of 4 people found the following review helpful.
A Sourcebook of Nasca Ceramic Icongraphy: Reading a Culture through Its Art
By Stephen C. Carpenter
I can't believe I am the first to review this book. All museum curatorial staff, dealers in Nasca artifacts, and collectors have copies of this book in their libraries. Although many of the illustrations are in black and white, there are sufficient number in color so that the point, or example is made. A comment, made to me, by several of the above parties is, "I have never, not been able to find an example of the Nasca art or period I am looking for". Donald A. Proulx, is to Nasca Art what Christopher Donannan, is to Moche Art. If you do not understand the reference. Then re-examine your view point, and your knowledge.
1 of 1 people found the following review helpful.
Towering information on the subject
By Francisco de Agueda
The book compiles almost all the existing theories and tendencies on the different icons of Nasca ceramic objects. Really a must to those interested in interpreting the fascinating world of the Nasca culture
12 of 12 people found the following review helpful.
Must Have Source
By Patrick Carmichael
For those captivated by ancient Andean imagery Don Proulx's A Sourcebook of Nasca Ceramic Iconography provides an indispensable guide to the colourful world of the Nasca. Located on Peru's south coast in the first centuries A.D., Nasca potters left a visual account of their world view in an astounding array of depictive designs. Drawing on forty years of study, Proulx offers the first comprehensive catalogue of Nasca motifs, along with his own identifications and interpretations. In addition to the motif catalogue, Proulx provides the most extensive description of the nine-phase Nasca pottery sequence ever published in one place. This contribution alone makes this book a "must have" reference. The Sourcebook also contains Proulx's own overview of Nasca culture, covering special topics such as religion, subsistence, daily life, material culture, and dwellings. A Sourcebook of Nasca Ceramic Iconography is destined to be a standard reference for generations to come. It represents the crowning achievement of Proulx's long and distinguished career, though not, we hope, the last we hear from Don Proulx.
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