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At Freddie's, by Penelope Fitzgerald
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"Freddie's" is the familiar name of the Temple Stage School, which supplies London's West End theaters with child actors for everything from Shakespeare to musicals to the Christmas pantomime. Its proprietress, Freddie Wentworth, is a formidable woman of unknown age and murky background who brings anyone she encounters under her spell -- so common an occurrence that it is known as "being Freddied." At her school, we meet dour Pierce, a teacher hopelessly smitten with enchanting Hannah; Jonathan, a child actor of great promise, and his slick rival Mattie; and Joey Blatt, who has wicked plans to rescue Freddie's from insolvency. Up to its surprising conclusion, At Freddie's is thoroughly beguiling.
- Sales Rank: #434626 in eBooks
- Published on: 2013-03-18
- Released on: 2013-06-11
- Format: Kindle eBook
Amazon.com Review
Age has indeed withered the proprietress of London's Temple School for child actors, but custom has yet to stale her infinite, cadging variety. Freddie--born Frieda Wentworth--is Penelope Fitzgerald's most marvelous sacred monster, a woman insanely devoted to her art. Over several decades she has foiled debt collectors, creditors, and bailiffs at every turn. What matter if Freddie's Covent Garden redoubt is freezing and falling apart, her own office-cum-bedroom a haven for must and dust, mold and mothballs? When one would-be financier has the temerity to display a balance sheet, she orders him to put it away, "in the tone she used to the local flasher." After all, this force of theatrical nature can always rely on actors and theaters for desperate, last-minute donations. On the other hand, it is 1963, and the school is threatened by others specializing in film and TV training, but so far Freddie is sticking to her Shakespearean guns.
The Temple's permanent staff consists of an unskilled handyman and Freddie's assistant and dresser, the possibly malevolent Miss Blewett. Its acting coaches include a man who's made his career out of understudying Nana, the dog-nurse in Peter Pan. Needless to say, the students are not impressed. To further trim expenses, Freddie has hired two new teachers from Northern Ireland. One, Hannah Graves, is qualified; the other, Pierce Carroll, decidedly not--but Freddie hires him for other reasons: "She had heard in his remarks the weak, but pure, voice of complete honesty. She was not sure that she had ever heard it before, and thought it would be worth studying as a curiosity." These two innocents are in academic charge of the young thespians, an egomaniacal, mostly mendacious lot. (In a stage school, after all, insincerity is a good thing.) But Freddie's does house one genius: 9-year-old, unknowable Jonathan Kemp. Even his guinea pig inherits his bad luck, and is soon devoured by one of the theater district's roving felines. Jonathan seems destined to be overshadowed by Mattie Stewart (later Stewart Matthews), a showoff who at least has the grace--even if it is manifested in spurts of violence--to know himself inferior. Meanwhile, we watch Pierce fall in love, hopelessly, with his colleague. Alas, he hasn't a chance against the dissipated actor Boney Lewis, though Hannah tries not to destroy him: "At the corner, she gave him a hug and a kiss, as one does to a cousin, or to the inconsolable."
At Freddie's, Penelope Fitzgerald's 1982 parable of the talents, constantly shifts between such despair and high comedy. Many Fitzgerald-philes feel that she reached her apex in her three European novels--Innocence, The Beginning of Spring, and The Blue Flower. In fact, she had already arrived there with this perfect novel of ideas, ideals, and oddities. --Kerry Fried
Review
'Reading a Penelope Fitzgerald novel is like being taken for a ride in a peculiar kind of car. Everything is of top quality - the engine, the coachwork and the interior all fill you with confidence. Then, after a mile or so, someone throws the steering-wheel out of the window.' Sebastian Faulks 'Wise and ironic, funny and humane, Fitzgerald is a wonderful, wonderful writer.' David Nicholls 'A jewel of a book.' Daily Mail 'The wit is crisp and dry, scenes and characters are deftly skewered. Whether you view the theatre as a noble passion or a wasting disease, you are equally certain to be regaled.' Guardian 'Enjoy the knowingness of the awful children, the weary fumblings of the professional actors, the constant witticisms at the expense of pretentious directors. An enjoyable, sharp novel...a delicious refreshment.' Margaret Forster
From the Back Cover
“A jewel of a book.” —Daily Mail
It is the 1960s, in London’s West End, and Freddie is the formidable proprietress of the Temple Stage School, which supplies child actors for everything from Shakespeare to musicals to the Christmas pantomime. Of unknown age and provenance, Freddie is a skirt-swathed enigma—a woman who by sheer force of character and single-minded thrust has turned herself and her school into a national institution. Anyone who is anyone must know Freddie.
Filled with unique and hilarious insights into the theatrical world, At Freddie’s is a beguiling story for those of us who sometimes pretend to be something we are not.
“Love, fear, class, ambition, even death—it's all in here, but so elegantly presented that you've finished your plate before you even think to ask about the ingredients.” —National Public Radio
PENELOPE FITZGERALD (1916–2000) was one of the most elegant and distinctive voices in British fiction. She won the National Book Critics Circle Award in fiction for The Blue Flower, the Booker Prize for Offshore, and three of her novels—The Bookshop, The Gate of Angels, and The Beginning of Spring—were short-listed for the Booker Prize.
Most helpful customer reviews
9 of 9 people found the following review helpful.
The strange world of theatre - children's theatre
By A. Woodley
What a surprising book and what a funny one. The first Penelope Fitzgerald I read and a lovely introduction to her wonderfully witty work. "At Freddie's" is life in a slowly fading London Theatre school for children. It is the 1960's and Freddie, who is the mysterious woman who runs the school, believes that children should be trained for Shakespeare and for the stage - not for the fleeting career of television and advertisements which are starting to pull children from other schools.
Into this world drop Carroll, an unsuprisable Irishman, who doesn't seem to be able to do anything. He applies to Freddie for a job as a teacher but admits he can't really teach, or in fact do anything. Freddie hires him because he is cheap and honest, and he procedes to do just what his interview shows he could do so promisingly - nothing. But he has fallen in love with the other teacher who applied the same day, Hannah. Hannah is more ambitious and wants to 'chose, not be chosen'. A dictate which runs her life. Their relationship is played out against the lives of school's precocious children, mostly the strange friendship of Mattie - a 13 year old child over-actor and the quiet, self-contained 9 year-old, Jonathon.
It was a wonderful, fun read.
10 of 11 people found the following review helpful.
A totally original character
By A Customer
At Freddie's may not be the absolute best of all Fitzgerald's novels (the competence is so stiff), but Freddie may very well be her most original and likeable character. If you love theater, Shakespeare, London, have a sense of humor and some respect for children's creativity for mischief, in all probability you will be as defenseless against her as all the other characters seem to be in this very compact, very enjoyable and unexpectedly moving novel . All Fitzgerald books can take us to other worlds, the world of Freddie truly deserves to be visited.
5 of 5 people found the following review helpful.
Theatrical Skullduggery
By J. McFarland
Penelope Fitzgerald is at her most devilishly entrancing in this tale revolving around the London acting school run (and I mean RUN!) by Freddie, a larger-than-life Gorgon whose will cannot be resisted. Fitzgerald has fun skewering the backstage pretentions, intrigue and petty jealousies of the London theater world of the early 1960s, but, clearly loving every seedy corner of it, she celebrates it with such gusto that you want to sign up on the spot for a season or two. That combination of wryness and fondness makes this short novel among Fitzgerald's most satisfying. And when Freddie goes out looking for a pound or two, hang on to your wallets!
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