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A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman’s first new novel for adults since his #1 New York Times bestseller Anansi Boys.
This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...
- Sales Rank: #13566 in Books
- Brand: William Morrow Company
- Published on: 2014-06-03
- Released on: 2014-06-03
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .47" w x 5.31" l, .35 pounds
- Binding: Paperback
- 181 pages
Features
Amazon.com Review
An Amazon Best Book of the Month, June 2013: Neil Gaiman's intent was simple: to write a short story. What he ended up with instead was The Ocean at the of the Lane--his first adult novel since Anansi Boys came out in 2005, and a narrative so thoughtful and thrilling that it's as difficult to stop reading as it was for Gaiman to stop writing. Forty years ago, our narrator, who was then a seven-year-old boy, unwittingly discovered a neighboring family’s supernatural secret. What happens next is an imaginative romp through otherwordly adventure that could only come from Gaiman's magical mind. Childhood innocence is tested and transcended as we see what getting between ancient, mystic forces can cost, as well as what can be gained from the power of true friendship. The result is a captivating tale that is equal parts sweet, sad, and spooky. --Robin A. Rothman
From Booklist
*Starred Review* In Gaiman’s first novel for adults since Anansi Boys (2005), the never-named fiftyish narrator is back in his childhood homeland, rural Sussex, England, where he’s just delivered the eulogy at a funeral. With “an hour or so to kill” afterward, he drives about—aimlessly, he thinks—until he’s at the crucible of his consciousness: a farmhouse with a duck pond. There, when he was seven, lived the Hempstocks, a crone, a housewife, and an 11-year-old girl, who said they were grandmother, mother, and daughter. Now, he finds the crone and, eventually, the housewife—the same ones, unchanged—while the girl is still gone, just as she was at the end of the childhood adventure he recalls in a reverie that lasts all afternoon. He remembers how he became the vector for a malign force attempting to invade and waste our world. The three Hempstocks are guardians, from time almost immemorial, situated to block such forces and, should that fail, fight them. Gaiman mines mythological typology—the three-fold goddess, the water of life (the pond, actually an ocean)—and his own childhood milieu to build the cosmology and the theater of a story he tells more gracefully than any he’s told since Stardust (1999). And don’t worry about that “for adults” designation: it’s a matter of tone. This lovely yarn is good for anyone who can read it. HIGH-DEMAND BACKSTORY: That this is the popular author’s first book for adults in eight years pretty much sums up why this will be in demand. --Ray Olson
Review
“Remarkable . . . wrenchingly, gorgeously elegiac. . . . [I]n The Ocean at the End of the Lane, [Gaiman] summons up childhood magic and adventure while acknowledging their irrevocable loss, and he stitches the elegiac contradictions together so tightly that you won’t see the seams.” (Star Tribune (Minneapolis) on THE OCEAN AT THE END OF THE LANE)
“Gaiman has crafted an achingly beautiful memoir of an imagination and a spellbinding story that sets three women at the center of everything. . . .[I]t’s a meditation on memory and mortality, a creative reflection on how the defining moments of childhood can inhabit the worlds we imagine.” (Journal Sentinel (Milwaukee, WI))
“His prose is simple but poetic, his world strange but utterly believable—if he was South American we would call this magic realism rather than fantasy.” (The Times (London) on THE OCEAN AT THE END OF THE LANE)
“[W]orthy of a sleepless night . . . a fairy tale for adults that explores both innocence lost and the enthusiasm for seeing what’s past one’s proverbial fence . . . Gaiman is a master of creating worlds just a step to the left of our own.” (USA Today on THE OCEAN AT THE END OF THE LANE)
“Poignant and heartbreaking, eloquent and frightening, impeccably rendered, it’s a fable that reminds us how our lives are shaped by childhood experiences, what we gain from them and the price we pay.” (Kirkus Reviews (starred review))
“[A] compelling tale for all ages . . . entirely absorbing and wholly moving.” (New York Daily News on THE OCEAN AT THE END OF THE LANE)
“[A] story concerning the bewildering gulf between the innocent and the authoritative, the powerless and the powerful, the child and the adult. . . . Ocean is a novel to approach without caution; the author is clearly operating at the height of his career.” (The Atlantic Wire on THE OCEAN AT THE END OF THE LANE)
“Ocean has that nearly invisible prose that keeps the focus firmly on the storytelling, and not on the writing. . . . This simple exterior hides something much more interesting; in the same way that what looks like a pond can really be an ocean.” (io9)
“This slim novel, gorgeously written, keeps its talons in you long after you’ve finished.” (New York Post on THE OCEAN AT THE END OF THE LANE)
“In Gaiman’s latest romp through otherworldly adventure, a young boy discovers a neighboring family’s supernatural secret. Soon his innocence is tested by ancient, magical forces, and he learns the power of true friendship. The result is a captivating read, equal parts sweet, sad, and spooky.” (Parade on THE OCEAN AT THE END OF THE LANE)
“’The Ocean at the End of the Lane’ is fun to read, filled with his trademarked blend of sinister whimsy. Gaiman’s writing is like dangerous candy—you’re certain there’s ground glass somewhere, but it just tastes so good!” (Bookish (Houston Chronicle book blog))
“The impotence of childhood is often the first thing sentimental adults forget about it; Gaiman is able to resurrect, with brutal immediacy, the abject misery of being unable to control one’s own life.” (Laura Miller, Salon)
“[W]ry and freaky and finally sad. . . . This is how Gaiman works his charms. . . . He crafts his stories with one eye on the old world, on Irish folktales and Robin Hood and Camelot, and the other on particle physics and dark matter.” (Chicago Tribune on THE OCEAN AT THE END OF THE LANE)
“When I finally closed the last page of this slim volume it was with the realization that I’d just finished one of those uncommon perfect books that come along all too rarely in a reader’s life.” (Charles DeLint, The Magazine of Fantasy and Science Fiction on THE OCEAN AT THE END OF THE LANE)
Most helpful customer reviews
1089 of 1135 people found the following review helpful.
Adult fairy tales don't get much better than this
By B. Case
Right up front I should admit, I'd never heard of Neil Gaiman before I read an enthusiastic newspaper review about this book and decided to preorder it a few days ago. Last night, it was wirelessly delivered to my Kindle and this morning, I picked it up and started reading. Almost instantly, I was so absorbed and lost in the storytelling experience that I didn't do anything else until I finished it a few hours later.
It's a short book; it's enchanting; it's very well written...definitely top-quality fantasy literature. I'm not a fan of fantasy literature, but this book swept me away into such a delightful and fascinating series of incredible adventures--or should I say misadventures--that I could not pull myself away. The author is correct to warn that this is not a fable for children...the reality is far too stark and dark, and there are definitely some adult themes.
"The Ocean at the End of the Lane" is a tale about a lonely bookish seven-year old whose life takes a terrifying turn into a dark and creepy reality. The child is never named, but in recent interviews, the author admits that this child is very much like he was at that age. The child lives in the lovely English countryside of Sussex--the same environment where the author grew up. And like Gaiman, the child is wise, responsible, and moral beyond his years. The parents are blithely confident that nothing bad could happen to their brilliant bookish son in such a bucolic setting. But of course, bad things can, and do happen, especially to the pure and innocent...
The parents have no idea that the Hempstocks--an eleven-year-old girl, her mother, and grandmother--who live by a pond at the end of the lane, are really a group of immortals who play at being human. Our seven-year-old child makes friends with the girl, Lettie Hempstock, and she introduces him to the pond, which is really an ocean. Eventually, our narrator and Lettie take a trip into a higher plain of reality that is entered somehow through the property owned by the Hempstocks, and so begins a series of remarkable misadventures with unforeseen consequences.
This novel is a heroic tale about the age-old battle between childhood innocence and mythic forces. The book will charm you, fill you with awe, make you feel on edge, surprise you, and make you want to keep on reading no mater what important obligations you might have waiting for you to accomplish.
Since finishing the book this afternoon, I was so curious about this fine writer that I started doing research into his life, philosophy, and writing. It seems that in prepublication interviews, Gaiman says that he's prouder of this particular work than anything else he's ever written...and, as I learned today, this is an author who has had an insanely prolific career spanning blockbuster successes across a large number of different creative media. He says he's put an enormous amount of effort into writing and rewriting this book in order to get the tone, words, and dramatic focus just right. A number of critics have already said they consider this work to be as close to sterling literary fiction as Gaiman is ever likely to get.
Indeed, I was very impressed. For me, this work is, without doubt, first-rate fantasy and escapist fiction...and very fine literature, as well. It delivers a highly imaginative, fabulous and fascinating fable that envelops, and attempts to explain, everything in the space-time continuum. Yes, it's that ambitious! It had me hooked from the first to the last page. Simply put: it is an incredible gem of a novel.
6 of 6 people found the following review helpful.
A Magical World of Childhood and Monsters
By run slow, finish whenever
This is my first Neil Gaiman novel and I was thoroughly impressed. This is a beautiful work of fiction that takes the familial tragedies of the common child and creates an otherworldly tale to explain it all. The writing is simple but it draws a powerful response from the reader and brings you back to your own fearful childhood experiences. Reading the book was like sitting within yourself as a child again, not understanding the things around you but knowing enough to be afraid. Being afraid but not being heard. Heard, but not believed. This book is quite different from what I usually read but I am very glad I picked it up because the surprises it held were truly a treat.
103 of 109 people found the following review helpful.
I loved this book; it is all of gloomy, heartbreaking, and magical; in the end, it is completely hope-filled
By Karielle @ Books à la Mode
Neil Gaiman is one of those modern authors I automatically categorize as classic. I've loved his previous novels and all his little projects in between, and The Ocean at the End of the Lane solidifies his position as one of my all-time favorite writers.
Through a drowsy, overwhelming narrative, we follow the sudden, startling recollection of one man's past—one that is all of magical, terrible, and sobering. While visiting the little English country lane of his childhood, our unnamed protagonist reunites with a familiar face who prompts him to think of an old friend he hasn't thought about in years. Upon remembering one thing, he remembers everything.
Vividly Proust-like and told in calm, focused prose, this novel submerges readers into the sweet, wise, sometimes wondrous, and sometimes frightening mementos of a forgotten childhood, while expertly capturing the one-track mind of a seven-year-old boy. His memories immerse us into a world that is all of strange, fantastical, but still utterly believable—as well as introduce us to an intriguing character, Lettie Hempstock, who teaches us the most valuable lesson about being a friend.
The fantasy setting of the child's experiences is out of this world—literally. I don't know how Gaiman comes up with the most bizarre concepts and the most sinister of villains while still managing to sound so real, but he does it beautifully. The story definitely has dark undertones, but it is masked by the naïve tranquility of an ignorantly blissful child. Not only is this aspect of magical realism so smoothly incorporated, but the injustices and powerlessness of childhood are also exquisitely portrayed. Gaiman reminds us of what it is like to be young again—and through this reliving, we are forced to consider the underestimated wisdom of children, and the overlooked foolishness of adults.
Stylistically, The Ocean at the End of the Lane is quite easy and straightforward; at less than 200 pages, it is a slim volume—but it has a huge impact. In the veins of Marcel Proust and Georges Perec, Neil Gaiman acknowledges the sheer power or memory, imagination, and wonder, while providing a haunting reflection of what it means to remember, and what it means to forget.
Pros: Stunningly perceptive // Light but meaningful writing style // Poetic // Sinister and dark at times, yet overall enlivening // Fantastical while still startlingly realistic // Poignant observations on memory, storytelling, and youth // If you're a Neil Gaiman fan already, this may become your newest favorite of his // Simply put: a good story
Cons: Slow-moving at times
Verdict: Imaginative, chilling, and mournful to a past life, The Ocean at the End of the Lane is a powerful novel about the importance of stories, seen through the impressionable, vulnerable eyes of a nameless child. The book juxtaposes supernatural occurrences in a contemporary setting to create the ultimate urban fantasy world, with splashes of nostalgia added in between that really disorient the plot's flow. Told in Neil Gaiman's trademark voice—so dark, but so eloquent—that made Stardust a huge hit, this #1 New York Times Bestseller is completely deserving of its widespread praise. I loved this book; it is all of gloomy, heartbreaking, and magical; in the end, it is completely hope-filled.
Rating: 9 out of 10 hearts (5 stars): Loved it! This book has a spot on my favorites shelf.
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Harper Collins and TLC!).
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